Credits

Gallery

THE CORONATION OF THE VIRGIN ALTARPIECE
Detail of the face of Mary in the scene of Whitsun
© Albayalde CC-BY-NC-ND
General view of the ensemble
© J. Egaña
Depiction of the Trinity in the Coronation of the Virgin
© J. Egaña
The date of manufacture of the altarpiece is written in the book that the Virgin holds in the scene of Whitsun
© J. Egaña
Wilkinson, Henry. Errenteria. (London, 1838)
© Koldo Mitxelena, Diputación Foral de Gipuzkoa
Outside of the parish and main façade
© I. Salaberria CC-BY-NC-ND
Main nave and presbistery, remodelated in XVIII
© I. Salaberria
The face of the apostle of Errentería reminds to San Adrien's face in the altarpiece Boendael (whose author is Jan Borman III)
© Albayalde CC-BY-NC-ND © KIK-IRPA, Bruselas
Characterization of the Virgin in the relief of Whinsun
© Albayalde CC-BY-NC-ND
Christ in the scene of the Coronation, from Passier Borman
© Albayalde CC-BY-NC-ND
The relief of the burial of a Saint bishop very similar to antwerpen style
© J. Egaña
Nowadays the altarpiece is made of three units
© Albayalde CC-BY-NC-ND
The architectural decoration is very similar to the other Borman's altarpieces
© Albayalde CC-BY-NC-ND
Detail of the microarchitecture in the compartment of the thigt vertical subdivions
© Albayalde CC-BY-NC-ND
The scene of the Last Dinner is located in the right side.
© J. Egaña
The Whinsun theme is unusual in flemish altarpiece
© J. Egaña
The Coronation and Assumption of the Virgin is the main motif of the altarpiece
© J. Egaña
The burial of a Saint Bishop is the only recognizable scene of the thigt vertical subdivions
© J. Egaña
The delicacy of the applied brocade is present in several late altarpieces of the Borman's studio.
© Albayalde CC-BY-NC-ND
Joint sysmtem in upper angles of the central the section
© Albayalde CC-BY-NC-ND
Gusset of the joint system between the lower sections
© Albayalde CC-BY-NC-ND
The Virgin of the scene of Whinsun is made out of three wooden blocks
© Albayalde CC-BY-NC-ND
Rear of the Last Dinner, with numerous pieces and wooden blocks
© Albayalde CC-BY-NC-ND
Sgraffito inscription in azurite over gilt: "CREDO IN DEUM PATREM..."
© Albayalde CC-BY-NC-ND
Continuous brocade, real image and distribution of the plates
© Albayalde CC-BY-NC-ND
Applied brocade on red glaze
© Albayalde CC-BY-NC-ND
St John's face
© Albayalde CC-BY-NC-ND
Hypothesis of the original construction of the altarpiece
© Albayalde CC-BY-NC-ND
The altarpiece before the last restoration intervention
© Albayalde CC-BY-NC-ND
Accumulation of dust, varnish, repaints in the angel
© Albayalde CC-BY-NC-ND
Whitsun apostles before the last intervention
© Albayalde CC-BY-NC-ND
Wooden pieces from the same tree
© Albayalde CC-BY-NC-ND
Cross section of the Last Dinner, helicoidal scanner
© Albayalde CC-BY-NC-ND
Statrigraphy of the applied brocade (Mplan 20x/40 lens). Numbers 3 and 4 belong to the filling mass
© ARTELAB
Electronic microscopy image from the same stratigraphy
© ARTELAB